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Mixer control room out.
The idea is that you can let signals go thru the mixer unaffected while being able to solo stuff or listen at different volume while recording hence monitor outs and a.
Use that to monitor the main out when you need to.
When i plug my monitors into the main outs everything sounds normal or at least close to what i m used to a tascam 16x08 as interface.
Harsh control room outs on mixer.
Don t worry about where the control room is.
Get it as soon as thu.
By doing it this way any changes to listening level are independent of desk settings.
I ve always thought it was best to turn up the source to avoid washing it out.
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On some audio equipment typically mixers there are control room outputs and associated control room level volume and mix controls.
I take sound card out and feed that to the desk tape in which i route to the control room.
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Main mix outputs and aux output s are mixes that are sent to yo.
There is also a min mix switch that send the main mix output to the phones cntrl room output.
I ve just read k s response to one of the posts and he suggests connecting speakers to control room and use main out for recording devices.
Control room seems to be an often overlooked and very powerful feature in cubase that has been around for a long time but seems misunderstood.
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Just give it a go.
Ideally control rooms are designed to be carefully regulated in terms of sound isolation and accurate sound reproduction as this is where the final decisions are made about how a recording will sound.
Ok octevio the main outs on a mixer console is your stereo output sockets the connectors are a 3 pin xlr on your larger console but it can also be a 6 5 mm trc jack sockets or rca.
The control room outs on my zed r16 are pretty harsh on the high end like 1khz and up.
The main out i use to feed into soundcard.